The female lead in this piece should be the youngest among all the actresses I've introduced so far; you could also call her the "freshest meat," since her debut date is just around the corner. She's a genuine "sister" type actress, and who is she? That's right, Tōjō Natsu, discovered by the industry-leading agency for producing newcomers, "LINX." In February 2020, she chose the studio FALENO and became an exclusive actress for their internal project "FALENOstar." Although her figure is just average and not particularly outstanding, her strong girl-next-door student vibe, along with her fresh and sweet smile, makes you feel the youthful scent even through the screen, enough to make your lower body surrender and explode. For the studio, Tōjō Natsu is like a versatile oil, because she's the easiest type of newcomer in the AV world. Just with the cover, stills, and those simple selfies on Twitter, after some polished packaging, it can make fans shell out money. Her performance in the film also matches the public's imagination of newcomers: shy and inexperienced, with incredible charm that wins over countless fans. In APNS-224 "Lady Training: The Hellish 30 Days Until Pregnancy," Tōjō Natsu plays a wealthy young lady, whose father is the president of a corporate group—in other words, the daughter of a conglomerate. She grew up in a pampered environment, never experiencing any hardship or setbacks, and has no idea what filth or harsh conditions are like. Until one day, she encounters her father's subordinate, Suzuki, who, after making many mistakes at the company and getting fired, has his self-esteem shattered. So, Suzuki targets Tōjō Natsu, not only kidnaps her but also subjects her to all kinds of torment to vent his anger. But that's not all; in his increasingly deranged and irrational state, Suzuki comes up with an interesting sexual abuse method: to creampie Tōjō Natsu repeatedly over 30 days until she gets pregnant. Day after day, Tōjō Natsu endures a hellish sexual ordeal... After shedding her exclusive actress status, Tōjō Natsu, with the halo of a top newcomer, continues to conquer the AV market as a planning independent actress. Speaking of who was the biggest surprise in 2020, it has to be Shiina Hope, but in 2021, a strong contender emerged, snatching the title of the "Newcomer Generation Release God"—and that's none other than Tōjō Natsu herself. Why do I say that? I originally thought that Shiina Hope releasing five works in a month was astonishing, but Tōjō Natsu did it in just a week. With such an overwhelming momentum and release speed, I think it's only a matter of time before Tōjō takes the top spot in cumulative sales on "FANZA"—it's just around the corner~~