Aoi Sora has both the body and the talent, and this film is the best proof of that. This project, featuring a fully naked dirty-talk musician, can be seen as her carrying the entire show on her own. It includes three dirty-talk songs in the film, where Aoi transforms into a nude musician, blending music, performance, and desire into one. With her original "dirty-talk songs," she pushes the boundaries of sight and sound, making it feel like a collision between *La La Land* and *Fifty Shades of Grey*! Just like Mia and Sebastian in *La La Land* chasing their dreams under the stars, Aoi Sora pursues her own "dreams" in this film—but hers involve using her voice and body language to challenge the audience's sensory limits. The famous line from the movie, "Here's to the fools who dream," is adapted here to "Here's to the fools who sing... and swing!" The creativity of this work lies in combining the rhythm of music with the improvisational elements of adult content, creating a stage that's both absurd and utterly captivating. The soul of the entire film lies in the three "dirty-talk songs" personally written by Aoi Sora: "Squirting Masturbation Live Song," "Masturbation Cheer Song," and "Creampie Sex Live Song." Each one feels like it's shouting out Eren Yeager's passionate declaration from *Attack on Titan*: "I will drive out all the Titans!"—except Aoi's version is more like "I will liberate all desires with my voice!" Her lyrics are straightforward and bold, paired with her serious delivery, exuding a fierce "I want it all" attitude. Aoi Sora's fully nude performances in the film evoke the unrestrained emotional displays in the French movie *Blue Is the Warmest Color*. Though their mediums and purposes are completely different, Aoi conveys a raw, unfiltered sincerity through her body and voice. Her performance isn't just about teasing; it's about fusing music and desire into a unique form of expression—much like how Adèle and Emma explore their identities through intimacy in the film. When it comes to the music production of this film, you have to mention its "full-fledged live or music video" style. Just as Queen's *Bohemian Rhapsody* pushed musical boundaries with its multi-layered arrangements, RCT-787 does the same for adult video with its three distinct dirty-talk songs. From the upbeat rhythm of the "Squirting Masturbation Live Song" to the climactic build of the "Creampie Sex Live Song," each track feels like a standalone story, yet they all connect to form a complete performance.