This is also directed by Chōkō Takemi, with the cover adding an original fantasy sex that other producers can't imitate. The central theme still revolves around "the man who doesn't exist" and "becoming a dictator." In that era, it wasn't very common to repeatedly shoot the same series, and themes that continued to update weren't that numerous in the industry, so this series is one of the few that breaks the mold, making it a destined classic. The scenes include a solemn courtroom, a hospital for recuperation, and a joyful club, fully allowing viewers to experience what true contrast means. ────────────────────────────────────────────────── The first story is "the man who doesn't exist," where the male lead is a sushi chef who delivers the prepared bento sushi to a private club. Just like before, no one responds to him, and no matter how much he shouts, he's still ignored. In his desperation, the male lead, though worried about what to do with the food, starts to get some wicked ideas. Indeed, all men are alike—sometimes I wish I could suddenly turn invisible and violate some random hot girls. So, the male lead doesn't hold back with anyone, from the mama-san to the hostesses; he gropes and touches constantly, rubbing breasts and grabbing asses without missing a beat. During it, he even messes with a male customer by feeding him sushi that's been on his own dick. This story has a few details that really elevated my viewing experience, like the red-dressed lady on the cover—she resists when the male customer tries to grope her during the session, but the male lead plays with her to his heart's content, thoroughly violating her. It's like how others can't get it no matter how hard they try, but you snag it effortlessly— the thrill is off the charts! In the end, the male lead has the white-dressed woman, who's deep in conversation with the male customer, giving oral while talking, and then he pounds her hard and cums inside. Sometimes silence speaks louder than words; it's not always about screaming and intensity to feel desire—like I personally love themes where the actress just ignores the actor during sex, you all should check it out yourselves~ ────────────────────────────────────────────────── The second story, "becoming a dictator," is basically the general type we've talked about in the previous ones, so I won't go into too much detail here since it doesn't have many standout elements. ────────────────────────────────────────────────── The third story, "the man who doesn't exist," I think no one pulls off this theme better than Hanaoka; he perfectly embodies the most primal beastly side of men, nailing every nuance of sexual and emotional desire with pinpoint accuracy, and there's this unrestrained, out-of-control vibe, like a wild horse that's broken free, making the scenes feel genuinely unscripted. In this one, he plays one of the judges, but just like in the earlier stories, he's completely ignored by his colleagues during the trial, and even when he disrupts the jury, he's treated like air. That's when he starts harassing the female head judge; seeing no reaction from groping her ass and chest, he escalates to full-on penetration right on the courtroom table, ignoring everyone around. Then he turns his attention to a big-breasted cutie on the jury, and Hanaoka throws in some filthy, vulgar lines throughout, which, paired with the invasion scenes, is just pure embarrassment... And finally, the comical way he takes the female judge from behind on her chair, walking and thrusting at the same time, had me cracking up—it was awkward and hilariously rigid~