It's neither too long nor too short; Ayase Ten has finally reached her retirement day: As a "SODStar" talent, this genius actress Ayase Ten's farewell film—"START-400 SODSTAR Ayase Ten Retirement Celebration: 107 Shots of Cum Facial Barrage"—is set to officially release on September 11, 2025. The entire film focuses on Ayase Ten's dazzling debut in the industry to her glamorous exit, serving as her parting gift. This isn't just a simple pile-up of carnal desires; instead, it uses 107 facials as a "celebratory barrage," symbolizing a grand festival of desire. Since her debut, Ayase Ten has been renowned for her "genius-level eroticism," and for her retirement, she declares, "Facials are what I love," welcoming a flood of thick essence to satisfy the viewers' voyeuristic urges and fulfill her own farewell ritual. Ayase Ten, the leading lady of "SODStar," showcased extraordinary acting talent from her debut: Her long limbs wrap around like vines, her dominant riding position is addictive, and her nipple play is an endless trigger for ejaculation. This retirement film continues her style but feels more like a symphony of reminiscence and climax. It starts with an interview where she smiles and says, "I love being facially shot,"—this line isn't just dialogue; it's her genuine confession to the industry. The plot is divided into several stages: First, a warm retrospective of her career, interspersed with clips from past works, allowing viewers to relive her growth journey; then, it builds to the climax, summoning numerous male actors for an epic bukkake feast, with a total of 107 shots of semen spraying like fireworks across her face and body. The film ends with her satisfied smile, free of sorrow, only release. This isn't your average AV; it's "SOD's" tribute to the actress, emphasizing a philosophy of "satisfaction to the extreme." I've always believed that AV isn't just vulgar consumer goods; it's a mirror reflecting humanity's most primal sexual impulses. If Ayase Ten's debut was an explosion of "genius eroticism," then this retirement film is the "ultimate liberation" of desire. The opening interview segment seems lighthearted but is actually a reflection on the actress's identity: Why does she love facials? It's not passive acceptance but an active embrace. In the industry, facials often symbolize a transfer of power—the male actor's release and the actress's endurance. But here, Ayase Ten flips the narrative; she laughs and says, "I love it," turning the facial into a personal pleasure ritual. This reminds me of Foucault's arguments in "The History of Sexuality": Sex isn't about repression; it's a field of power games, and Ayase Ten isn't a victim—she's the master of the game, using her body to tell viewers, "My retirement is the peak I've chosen." The middle section's career retrospective adds depth, with the film cleverly editing clips from her past works: From the awkwardness of her first riding position to the mastery in later "semen extraction salon" scenes, each moment unfolds like a timeline. This isn't random patchwork; it's the construction of a narrative arc—her growth trajectory mirroring the industry's evolution. Viewers will see Ayase Ten's performances evolve from "genius" to "legend," an exploration of desire's diversity: Sometimes dominant (like in riding positions), sometimes submissive (like in facials). This segment echoes Hitchcock's suspense techniques, building tension before the climax to make the 107 shots even more impactful. Why 107 shots? This number isn't random; it symbolizes "overload"—surpassing the conventional 50 or 100, hinting at the boundless nature of desire. Each spray of semen is like Nietzsche's "eternal recurrence": Repeated pleasure that elevates through repetition. Ayase Ten's face, from pure to chaos covered in semen, symbolizes a transformation from "individual" to "vessel of collective desire." This isn't shallow visual stimulation; it's a critique of human greed: Aren't we viewers just the "shooters," projecting our desires onto the screen? The ending's satisfied smile is the perfect cap to the plot. No tears, no regrets—just her face covered in essence as she softly says, "Thank you." In this moment, the story elevates from carnal desire to an emotional level: Retirement isn't an end but a new beginning. To me, this is a metaphor for the AV industry—actresses come and go, but desire endures. Ayase Ten blasts away viewers' expectations with her 107 "celebratory shots," proving that AV can have depth and be art.