"SOD's classic 'Always Intercourse' series is surely familiar to all the old hands out there~ This series loves to treat sex as background music, from settings like schools and hospitals to offices, and this time they've chosen the 'press conference' stage, full of power games. The plot is set in a world where sex is as commonplace as drinking water, with four actresses—Tianno noa, Nogi Ayame, Shinazaki Rara, and Miki Hinano—playing roles as corporate spokespeople, PR reps, and assistants. They maintain their professionalism amid flashing cameras and sharp questions while engaging in uninterrupted sex acts with the male actors. From foreplay to climax, it covers a variety of plays like oral, riding, and group sex, all while discussing corporate crises or performance reports on the fly. The cast is a highlight: Tianno noa's innocent appearance hides a wild interior, Nogi Ayame brings contrast cuteness, Shinazaki Rara's body language is incredibly expressive, and Miki Hinano handles the chaotic group climax scenes. Now, let's dissect modern society's double standards on sex with a scalpel: On the surface, this work is just a gimmick of 'sex integrated into daily life,' but dig deeper, and you'll find it's a profound critique of media, power, and bodily autonomy. First, a press conference is typically a stage for power displays; in the real world, politicians or CEOs use rhetoric to cover up scandals. But in this film, it turns into an arena for 'sexual power'—the actresses answer questions like 'How is the company handling the crisis?' while being penetrated, and this 'non-stop' action isn't just arbitrary porn; it's an absurdist technique borrowed from existential philosophy, questioning the audience: Why must sex be hidden? In this parallel world, sex is 'integrated' (溶け込んでいる), yet it causes the characters' professional images to crumble. This reflects the alienation in contemporary capitalism—bodies become tools, and desires are commodified. Think about it: The actresses have to force a smile through orgasms while logically answering questions; it's not just enduring sexual urges but also withstanding the collapse of social norms. As the main spokesperson, Tianno noa embodies not just flesh-selling but also the dilemmas women face in the public sphere—she analyzes performance data while being 'serviced' by multiple male actors, with her voice shifting from steady to intermittent, marking the peak of her acting skills. This hits the sore spot of gender studies: Women's bodies are often objectified as 'performance props,' especially under media scrutiny. Nogi Ayame and Shinazaki Rara's supporting roles explore sexual repression in 'team dynamics'—they take turns participating, symbolizing the invisible labor in the workplace, where women must contribute both intellectually and physically. Miki Hinano's group climax scenes zoom in on 'public voyeurism': As reporters (male actors) ask questions, the camera cuts to her bodily reactions; this isn't just simple group play but a satire of 'surveillance capitalism'—like in Zuckerberg's social media era, our private desires are broadcast live, yet we pretend it's normal. Psychologically, this induces 'cognitive dissonance' in viewers: Excitement on one hand, embarrassment on the other, elevating the film from mere porn to philosophical exploration. From a socio-cultural perspective, this piece uses the 'press conference' to mock the hypocrisy of media. In reality, media loves to sensationalize sex scandals (like the MeToo movement) while avoiding discussions on sex's liberating potential. The director employs a live-stream style with multiple cameras, simulating the immediacy of TikTok or X, making viewers feel like they're 'participating' in the voyeurism; this challenges Baudrillard's 'simulacra' theory: Sex in the film isn't real but is 'simulated' into a performance by the media. Furthermore, the series' 'daily integration' concept challenges Foucault's 'sex-power' theory—sex isn't a natural desire but a mechanism regulated by social institutions like media and corporations. Rather than calling this an AV, it's more like performance art exploring 'body politics': How are women's bodies instrumentalized within patriarchal structures? Compared to traditional hardcore AV, this is closer to soft sci-fi, imagining what society would evolve into if sex truly became everyday—a utopia or dystopia? Of course, the sex scenes aren't neglected; high-def close-ups and rhythm keep the physical stimulation intense, but the real depth lies in the coexistence of 'awkward pleasure'—like an eternal social experiment forcing you to reflect on your desire boundaries. From a gender perspective, it implicitly critiques feminism: The actresses take the lead in some scenes, subverting traditional passive images, yet they struggle under 'professional' constraints, offering a complex portrayal of contemporary feminism.