The film "HOKS-197 Modern Carnal Theater: Comparing the Taste of Pussy – Devouring a 45-Year-Old Mother and an 18-Year-Old Daughter!" produced by FA Pro (hereinafter referred to as "Modern Carnal Theater") is undoubtedly one of the most attention-grabbing hardcore plot films of the first half of 2025. Released on May 20, 2025, with a runtime of 101 minutes, it is directed by the veteran director "Ogurock Kinzo," continuing FA Pro's consistent "Carnal Theater" series style. It skillfully weaves family ethics, generational conflicts, and primal desires into a bold and provocative visual feast. The film's core theme revolves around "taste comparison," using the mother-daughter relationship between a 45-year-old mother and an 18-year-old daughter as a vehicle to explore men's "devouring" of women's bodies. This is not just a physical description but also a metaphor for hidden desires in modern society. The story begins in an ordinary urban family, with the mother (played by Tsukino Yurune) being a 45-year-old mature woman with rich life experiences and a voluptuous figure, suppressing her inner desires in her marriage; the daughter (played by Iori Hinano) is an 18-year-old youthful girl, innocent yet full of curiosity. The film takes the perspective of a mysterious male character, gradually "invading" the lives of this mother-daughter pair, unfolding a game of "pussy taste comparison." This is not merely a pile-up of pornography but uses a theatrical act structure to divide the plot into three stages: "temptation," "comparison," and "collapse." Each stage builds tense psychological tension through detailed dialogue and progressive physical interactions. The director skillfully uses cinematography, contrasting the mother's warm maturity with the daughter's fresh tenderness, allowing viewers to feel the cruelty and pleasure of "devouring" visually and emotionally. Although the plot inevitably falls into common AV taboo themes, its narrative pace is tight, avoiding lengthy drags, and the 101-minute runtime is just right, making it impossible to stop watching. Tsukino Yurune plays the mother role in the film, and her performance is the highlight of the entire piece. This experienced actress captures the inner struggles of a mature woman with nuanced expressions, from initial resistance to eventual indulgence, with every glance full of depth. Her body language is natural and fluid, especially in the "taste comparison" scenes, showcasing the charm of a 45-year-old woman—like the mellow temptation of aged wine, reminiscent of the classic "mature woman" images in iconic AV. In contrast, Iori Hinano, as a newcomer actress, brings fresh vitality to the role of the 18-year-old daughter. Her innocent appearance and curious eyes perfectly interpret the ignorance and impulsiveness of youth; although she appears a bit awkward in some intense scenes, this enhances the character's authenticity, making the "mother-daughter contrast" theme more three-dimensional. The male actor's performance is standard, serving as the "devourer" role, more like a catalyst that drives the desire collisions between the mother and daughter. Overall, the casting's age span is ingeniously designed, reinforcing the film's generational themes. Director Ogurock Kinzo is renowned for his unique "theater style," and this film is no exception. In terms of cinematography, it employs multi-camera switches, especially using close-up shots in intimate scenes to capture subtle physiological reactions, making the concept of "pussy taste comparison" concrete and sensual. The sound design is excellent, with the fusion of panting sounds and background music creating an atmosphere of carnal desire, as if the audience is immersed in a modern version of a "desire theater." However, a shortcoming is that some scenes are too straightforward, lacking poetic elevation, which might make viewers seeking deeper plots feel a bit rough. Additionally, as a hardcore AV, the film's violent elements (such as the depiction of "devouring") may not suit all tastes, but this is also its charm—boldly challenging moral boundaries. "Modern Carnal Theater" ultimately presents the ruthless devouring of human desires within the family framework, reminding us that desires lurk like beasts, waiting to erupt. As Freud said in "The Interpretation of Dreams": "Desire is the unconscious driving force; it is unbound by morality and always seeks an outlet." This film is like a modern version of the Oedipus tragedy, with the mother and daughter's devouring mirroring the classic line from Shakespeare's "Hamlet": "Frailty, thy name is woman!", emphasizing the vulnerability and resilience of women in the vortex of desire. At the same time, it echoes Baudelaire's lines in "Les Fleurs du Mal": "Desire is like a hungry beast, devouring all beauty and purity." Through these classic references, we can see that AV is not just entertainment but an artistic interpretation of eternal human themes—revealing the abyss of the soul through the comparison of the flesh.