I'm going to punish you in place of your ex-boyfriend! Hinata Nana plays the role of "Nana," sporting a flashy golden afro and dressed in mourning clothes, swaying gracefully as she appears at her ex-boyfriend's third anniversary memorial service. This scene is like tossing a smoke bomb into a solemn temple—the ex-boyfriend's friends all have faces as dark as the bottom of a pot. Next, the banquet kicks off, and Nana at the table has a ridiculously low tolerance for alcohol, getting totally wasted and stumbling around after a few drinks. Then, the plot takes a wild turn; a few guys pretending to "take good care of her" start groping her, and things quickly spiral into chaotic group action. This isn't some sappy, nostalgic feel-good story—it's a controversial plot that slaps the dark side of human nature right in your face. The plot design is a bold provocation. It uses a funeral, full of taboos, as the opening, dragging the audience's sense of morality to the edge of a cliff and shoving them off without a second thought. Of course, this kind of setup isn't fresh in AV, but smashing together elements like "blonde gal" and "mourning clothes," plus drunkenness and NTR, really leaves people stunned. You call it vulgar? It doubles down and says it's "a raw display of human truth." You say it crosses the line? It shoots back, "The line? What's that?" Speaking of the film's core, it's all about Hinata Nana's performance. She transforms into a blonde mourning-clad gal, with a style that's explosively bold! That golden hair paired with black mourning clothes creates a jarringly twisted appeal. Her slender figure and innocent face perfectly embody the contrasting "bad girl" persona. In the film, her drunken state shifts from completely unguarded to passively accepting, and at certain moments, seemingly "enjoying" it—the acting is spot-on. Especially her physical language when drunk, with hazy eyes, limp movements yet a hint of tease, she totally brings the character's sense of downfall to life. Hinata Nana's performance isn't just about flaunting her body; she nails the emotional layers too. From the initial frivolity, to passive acceptance, and then moments of helplessness and resignation, she uses nuanced acting to make the character more than just a "passive victim," adding layers of complexity. This elevates the overall viewing experience, since visual stimulation alone isn't enough—the character needs soul. Director "Trendy Yamaguchi" knows how to amp up the emotions in this film, with high-spec cinematography that makes everything crystal clear—the contrast between the golden hair and mourning clothes is visually striking. In terms of set design, the solemn atmosphere of the memorial service clashes sharply with the later chaos, and the pacing of the shots and editing is tight, especially in the second half's group scenes, with smooth cuts that don't drag on. The sound effects are spot-on too, with the clinking of glasses, drunken moans, and background music all enhancing the immersion for the audience. "Real Works" maintains their signature "rough" style in this production, handling the scale just right—it's impactful without going overboard. The group scenes after the drunkenness are shot in a way that's both chaotic and organized, visually gripping. However, some shot transitions feel a bit formulaic, lacking originality—that's a minor flaw, but it doesn't affect the overall experience. Finally, on my viewing thoughts, this film's theme is walking a tightrope on morality. With elements like the memorial service, blonde mourning clothes, drunkenness, and gang action, it's definitely challenging the audience's psychological limits. The NTR and non-consensual scenes might make some viewers uncomfortable, but that's exactly what "Real Works" excels at—using extreme plots to explore the dark side of humanity. This kind of theme isn't for everyone, but for those who like heavy stuff, the film's shock value absolutely delivers on expectations.