As a male viewer, I can deeply understand the primal beastly instincts embedded in our blood. To put it bluntly, no matter how high our education level or how thoroughly socialized we are, I believe this essence etched into our genes is hard to erase. You can see this clearly from AV themes—whether it's European or Asian productions, genres like humiliation and rape are overwhelmingly numerous and hugely popular. The reasons are straightforward: they allow us to fulfill desires that can't be achieved in reality, while watching the actresses scream in agony and ultimately succumb to powerless resistance, delivering an indescribable thrill of forced conquest. Speaking of which, I highly recommend checking out the earlier work SVDVD-878 featuring Shirasaka Yuzu; it's absolutely worth watching. However, actresses don't necessarily have to struggle fiercely or scream to ignite desire. In fact, sometimes just going about their business calmly, ignoring the male actors' harassment or penetration, can be equally exciting for viewers. This is because being ignored makes you even more uninhibited, driving you to prove your existence. The "ROCKET" trilogy, "Heian Joshi Gakuen," is undoubtedly one of the best interpretations in recent years. "Heian" in Japanese means indifferent or unconcerned, or it can imply composure and poise. In the film, we see the three female students played by Uehara Karen, HIKARI, and Oshima Yuzuna, who clearly embody a wild and unrestrained image. It's hard not to say they portray these delinquent girls almost perfectly, with things like their vulgar postures, crude and obscene conversations, all adding tremendous tension to the plot. During my school days, besides the refined and elegant top students, there were always the trendy, fashionable "big sisters" types, who typically had hot bodies and stunning looks. Though I wasn't exactly a straight-A student, I was at least a well-behaved one, so I didn't have many chances to interact with girls like that. Maybe it was their strong, fiery personalities that made me too intimidated to approach them. Yet, in the energetic throes of youth, I often had wicked fantasies about them, especially their bold behaviors—like their carefree sitting postures in skirts, or their rebellious outfits, such as shortening and narrowing skirts, wearing vibrant-colored underwear, and even spraying on that tingling perfume. Thanks to them, the high pressure of schoolwork was a bit relieved. In the film, Uehara Karen, HIKARI, and Oshima Yuzuna are glued to their phones from start to finish, completely oblivious to what's happening around them. At first, the male classmates are puzzled, and when they realize the girls aren't responding to calls, they decide to get handsy to test if they're truly being ignored. Once confirmed, they pull out their tools right in front of them and start stroking away, then go wild licking their nipples and privates, finally pounding away in positions like cowgirl and missionary until internal ejaculation. This series remains my favorite, with several scenes that get me hard no matter how many times I watch them—like lifting Uehara Karen's skirt to reveal her black thong, or the male actor slipping his dick into the frame while they're taking photos. This tangible realization of filthy, depraved ideas is one of the key reasons the series succeeds!