Xia Hai, a newcomer from "Premium": At the same time, in reality, she is a secretary to the president of a Tokyo company, with daily duties including managing schedules, arranging business trips, and accompanying meals. This background adds a layer of authenticity, as if the audience is peeking into the private life of a real person. However, the work also reveals that Xia Hai was once a "friend with benefits" of a certain AV actor, which to some extent adds mystery and topicality to her debut. "Premium's" exclusive negotiation brings this elegant woman into the AV world, focusing on her F-cup figure and tall stature as visual highlights, while emphasizing her "do M" nature in intense scenes. In the classic film "Blue is the Warmest Color," there is a strong contrast between the character's everyday and intimate scenes. Xia Hai's character setting similarly utilizes this contrast: she is the embodiment of rationality and elegance in the workplace, but in front of the camera, she lets down her guard, showing a desire for sensory stimulation. This "contrast cuteness" not only satisfies the audience's curiosity about taboos but also prompts reflection on the tensions modern women face between social roles and personal desires. In front of the camera, her initial shyness and gradual display of indulgence form a natural transition, making it easier for the audience to empathize with her perspective. Her "do M" trait is not merely an act but is conveyed through subtle body language, such as trembling, evasive eye contact, and eventual submission, depicting an inner process of struggle and release. This evokes Shakespeare's portrayal in "The Taming of the Shrew" of human submission and resistance: outward compliance may conceal deeper self-exploration. However, the work has some shortcomings. For example, the pacing in certain scenes feels slightly drawn out, particularly in the early buildup of Xia Hai's background, which may bore viewers eager to get to the main plot. Additionally, while the work emphasizes Xia Hai's "do M" attribute, its psychological exploration of this trait is somewhat lacking, focusing more on visual and physical presentation. Incorporating more dialogue or inner monologues could perhaps add greater depth to her character. This work, besides being Xia Hai's debut, also carries the complex expectations of contemporary Japanese society toward women's roles. As a secretary to the president, Xia Hai represents the professional image of working women, but her AV debut challenges this stereotype, revealing the multiple identities women hold in public and private spheres. This contrast aligns with Natsume Sōseki's depiction in "Kokoro" of the inner contradictions of human nature: "A person's role in society is merely the tip of the iceberg, with the true self often hidden in deeper layers." At the same time, the work touches on the AV industry's obsession with "amateurs" and authenticity. Xia Hai's identity as an "active secretary to the president" is repeatedly emphasized, a marketing strategy that undoubtedly boosts the work's appeal. However, this raises a question: Are viewers appreciating Xia Hai's performance, or are they consuming her real life? This blurred experience of reality and fiction recalls philosopher Jean Baudrillard's discussion of the "hyperreal": when the line between reality and fabrication blurs, where does the audience's desire truly point? "PRED-711: Newcomer! PREMIUM Exclusive! Overflowing Elegance and the Gap of Do M. Discovering an Active Secretary to the President. AV Debut" delivers a visual and emotional feast through Xia Hai's first appearance. The contrast between her demeanor and "do M" attribute is not only the work's selling point but also an exploration of human complexity. "Premium's" production quality and Xia Hai's natural performance complement each other, making this work stand out among many AV titles. However, there is still room for improvement in the psychological depth, which could be further explored in future sequels. Finally, I would like to borrow a quote from Japanese poet Yoshimoto Takaaki: "True art does not reveal the surface, but the reality behind it." "PRED-711" unveils the struggles of professional women between social roles and personal desires through Xia Hai's debut, and this authenticity is the work's charm. For viewers who enjoy exploring the multifaceted aspects of human nature, this work is undoubtedly worth watching.